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About Bob W Christian

Bob W Christian has been writing poetry for more than 20 years. He started as a way to help to process his thoughts and emotions as an autistic man, and to address the impact of CPTSD. As he wrote, and slowly gained the confidence to share his poems, he was given incredibly positive feedback, which spurred him to write more. During that time, he has written six books, and had numerous guest publications in books and magazines around the world. His work has earned several accolades recently, including recognition in the Dark Poet’s Club 2025 competition. Alongside poetry, Bob enjoys photographing nature and birds, and is often praised for his keen eye behind the lens. (One of the official photographers Torbay Pride 26) A husband, father and grandfather, he regularly shares his observations, reflections and creative work through his personal blog, The Ramblings of Bob Christian.

The Wisdom Hidden In Failure

How has a failure, or apparent failure, set you up for later success?

Early in my career, I worked on an engineering (R&D) project that completely failed. We had the wrong assumptions, rushed decisions, and in the end the result simply didn’t work, at the time it felt like a setback, even embarrassing. But that failure forced me to slow down, reflect, and question how I approached problems. It taught me patience, humility, and the importance of building strong foundations rather than chasing quick wins.

Looking back, that experience shaped my character more than any easy success could have. In a small way, it reminds me of a Buddhist idea: setbacks are not obstacles to the path—they are part of the path. Failure creates space for awareness and growth. Each mistake becomes a quiet teacher.

Because of that experience, I now approach challenges more thoughtfully and resiliently. What once looked like failure became the foundation for better decisions, stronger habits, and ultimately better outcomes.

Sometimes the step that feels like falling backward is actually the one that steadies your footing for the climb ahead.

The Small, Ordinary Things That Hold My World Together

What are three objects you couldn’t live without?

There are a few objects that quietly anchor my days, the small things that make life feel stitched together.

My phone is the first—less a gadget and more a pocket‑sized notebook where half‑formed poems land before they drift away.

Then there are my comic books, those bright-paper portals that let me step out of the world for a while and into somewhere louder, stranger, and wonderfully unreal.

And finally, the constants: my wife and my cat. They’re not objects, of course, but they’re the companions who turn the ordinary into something worth coming home to.

Lessons the Darkness Taught Me

What experiences in life helped you grow the most?

The experiences that helped me grow the most were the ones that came closest to undoing me. The easy chapters never asked much of me, but the hard ones stripped life down to its bare truth, the way a brief moment of stillness can clear the mind just enough to see what’s real. In the middle of loss, upheaval, and the quiet fear that I might not make it through, I learned what I was clinging to and what I needed to release. Those moments revealed strength I didn’t know I had and tenderness I didn’t know I was allowed to keep. In a way that echoes a small thread of Buddhist thought, the suffering wasn’t a punishment but a teacher — not gentle, but precise. The things that tried to destroy me became the very forces that shaped me into someone steadier, clearer, and more awake to my own life.

The Birthday Enlistment Entanglement

Do you believe in fate/destiny?

“I’m not sure if the universe has a plan, but it certainly has a sense of humour. I joined the Army on what would turn out to be my future wife’s birthday, long before I knew her. Then we met because of a book on string theory. If that’s not destiny having a bit of fun, I don’t know what is.”

Weekend snapshot

This weekend I’ve been playing with both my new daily driver (phone cam) and my trusty old Pentax K-X (12mp) I’ve bagged some cracking shots, here’s the results.

Pentax K-X Sigma 400mm telephoto
Waxing gibbous
Camera phone standard mode (48mp)
Cam phone
Phone cam (night mode x3)

Bc

A chapter, not a whole story

Describe a phase in life that was difficult to say goodbye to.

One of the hardest things I’ve ever had to do was let go of a version of my life that looked perfect on paper.

Everything made sense. I knew my role. My relationships felt clear. My path felt mapped out. It was structured. It was safe. It was familiar. It was mine.

And that’s exactly why walking away felt so heavy.

I used to think I was grieving the season itself. But really, I was grieving my attachment to it. In Buddhist thought, we’re taught that suffering doesn’t come from change — it comes from clinging. I wasn’t in pain because life was shifting. I was in pain because I wanted it to stay.

I wanted permanence in something beautifully impermanent.

But life moves the way breath moves — in and out, rising and falling. Nothing is meant to be held forever. Not roles. Not certainty. Not even the versions of ourselves we once felt so sure about.

Growth doesn’t always arrive as expansion. Sometimes it arrives as release. Sometimes it asks you to loosen your grip before you understand why.

When I stopped resisting the transition and began to meet it with acceptance, something softened. I could see the season for what it was: not a destination, but a teacher. A chapter, not the whole story.

A seed doesn’t become a tree by staying whole. It breaks open. Not because it failed — but because it’s ready.

Letting go wasn’t weakness. It was practice. It was trust. It was choosing alignment over attachment.

That season shaped me deeply. I carry its lessons with gratitude. But it was never meant to contain me.

The Man She Sees When I Forget Myself

If you could be someone else for a day, who would you be, and why?

If I could live as someone else for a single day, I’d choose to be my wife, Mrs Bob. Not for the novelty of stepping into another life, but for the chance to understand myself through the eyes of the person who loves me most. She carries a version of me that I don’t always recognise — one shaped by patience, affection, deep love and a kind of steady belief that I sometimes struggle to feel for myself.

There are moments when I doubt; when I fall short in my own mind; when I can’t quite see what’s worth loving. Yet she does. She always does. Spending a day as her would let me witness the small things I overlook, the quiet ways I matter, the reasons she stays close even when I’m not at my best. It would be a chance to see myself without the fog of self‑critique, to understand the warmth behind her choices, and to appreciate the version of me that she holds on to.

One day in her shoes wouldn’t just teach me about her — it would teach me about the parts of myself she’s been seeing clearly all along.

The Garden Stirs

Last year I entered the Dark Poets Prize IV, with a poem called “The Garden Stirs”.

This is the sequel to my award-winning piece, called “The Eternal Garden of Shadows”.

Both of these pieces are part of my Life of Shadows series, which is currently a collection of seven poems, and I am adding to it at the moment.

I’m pleased to say that “The Garden Stirs” earned me a shortlist spot with the Dark Poets Club.

“The Garden Stirs”

Peace is a liar.

It wears a mask of soil and silence,

But beneath the garden, something breathes.

Not worms. Not rot.

Something that remembers my hands. 

The farmhouse walls groan in tones too close to your voice.

At night, I hear footfalls in the hall…

Not the echo of my own,

But yours, dragging like broken promises. 

The mirror is the first traitor.

Where once I saw resolve, now your grin.

Eyes black, glistening with remembered laughter,

The kind that came before pain,

Before the belts, the cellar, the ‘lessons’.

I dug your grave deep,

But the earth is a poor keeper of secrets.

It whispers at dusk,

Sings lullabies in your tone, off-key and venomous. 

I burn sage. Salt. Books. My skin.

Nothing stops the smell of you:

Leather, sweat, basement mildew,

The musk of unholy patience

As you waited for me to cry. 

I found dirt on the floor by my bed.

Handprints leading to the wall.

No child’s, no animal’s.

The shape is familiar

I remember those fingers around my throat. 

Your voice is bolder now.

Less whisper, more command.

You tell me I did it wrong

That the grave is yours, but the punishment is mine.

I weep. The house shakes with laughter. 

I no longer sleep. I dig.

Every night, the same garden.

The same screams.

Not from below

From me. 

And the earth is getting soft again.

Something’s trying to come through.

Not worms. Not rot.

Something that remembers my hands.

(c)BobChristian

“This Poem Ends every 40 Seconds”

Years ago, I learned some truly shocking statistics about suicide—800,000 lives lost every year. That’s one life every 40 seconds. It’s a deeply uncomfortable topic, but it’s one we can’t keep ignoring.

The truth is, suicide is the leading cause of death for men between 20 and 49. And while this affects all men, over 60% of newly-diagnosed autistic adults report having suicidal thoughts.

These numbers are devastating. We’re finally starting to talk more about mental health, but there’s so much more to be done to prevent people from reaching that point. To remind them they’re not alone.

I nearly became a fucking statistic so many times. 

“This Poem Ends Every 40 Seconds”

Every forty seconds
someone ends their own life.

Not a metaphor.
Not a number on a website.
person.
A real human soul
punched out like a clock card,
because the noise in their head
was louder than any help ever offered.

Forty seconds.
By the time you finish reading this stanza,
someone else is gone.

But we don’t talk about it.
Not really.
We whisper it behind closed doors,
use soft words
like “passed away,”
or “lost them,”
as if they just wandered off into the woods
and forgot to come home.

Mental illness is still a dirty word.
Still something we hide in drawers
with old medication bottles
and family secrets.

We tell people
to “reach out”
but give them nothing to grab onto.

We applaud strength
but punish vulnerability.
We ask, “How are you?”
but only want to hear
“I’m Fine.”

We romanticize broken artists
but ignore the broken people
in our inboxes.
At our dinner tables.
In the mirror.

Some of us scream with silence.
Perfectly dressed.
Perfectly functional.
Perfectly invisible.

The truth is
we lose more people
to quiet despair
than to war or violence.
And still,
we treat therapy like a confession booth,
instead of healthcare.
Still,
we treat emotion like weakness,
and stoicism like bravery.

It’s not brave
to bottle the storm.
It’s brave
to name it.
To say, “I’m not okay.”
To cry in daylight.
To take meds,
see a shrink,
open the wound
and not apologise for bleeding.

If you think this is heavy,
good.
It’s fucking supposed to be.

Because someone you love
is already counting the seconds.
And they don’t need a pep talk.
They need
a world that listens 
before the silence becomes permanent.

(c)BobChristian