The lovely folks at AEOS are running a Bank Holiday discount over the long weekend, where you can grab 50% off the cover price of this brilliant literature & culture magazine. There are some great issues to choose from and, not to brag, but I’ve been fortunate enough to have a piece featured in each of them.
Issues 1-5 Aeos
It’s a buy-one-get-one-half-price deal — just add the promo code AEOSM at checkout.
First, I found out I’d received another accolade from the Dark Poets Club, which honestly means a great deal to me. Then, almost out of nowhere, I was offered the chance to be an official photographer for this year’s Torbay Pride event.
Photography is still very new territory for me. I’ve always just pointed the camera at things that caught my eye and hoped for the best, so stepping into something official feels both exciting and slightly overwhelming.
Still… growth rarely happens in comfort zones, does it?
Here’s to new experiences, learning curves, and seeing where the lens takes me next.
They point at the shoreline like the country is drowning in rubber boats. Like the reason your rent fills you with panic is a man crossing the sea, with wet shoes and a phone number stitched into his jacket.
Meanwhile, somewhere far from the food bank queue, a billionaire laughs into a glass of champagne on a yacht big enough to have its own postcode.
They tell us to fear the poor. Never the people pricing us out of our own lives. Never the landlords collecting houses like football stickers. Never the companies recording record profits while your gran chooses between heating and eating because both are luxuries now.
They don’t build anything. They just keep your eyes busy… Feed you someone to blame; Someone close enough to touch. Someone poorer, louder, stranger than you.
And while you’re choking on anger; While you’re tricked into mistaking hatred for power, the real thieves slip their billions quietly past, carrying our tomorrow out the back door.
Working on something a little darker than my usual scribbles lately, as I prepare for a possible upcoming competition.
Failing that, I’m thinking of gathering the whole collection together into a chapbook called Life Of Shadows — which, if I’m honest, feels like the perfect title for where my head’s been wandering creatively of late.
There’s something strangely cathartic about opening the door and letting the dark passenger stretch its legs for a while. Not in a destructive sense, more in the way storms clear the air. Poetry has always been part confession booth, part exorcism for me anyway.
Here’s one of the pieces from the series. It’s called The Garden Stirs, and I’m genuinely proud to say it was shortlisted for the Dark Poets Prize IV.
Issue Five of AEOS Magazine is out now. Its bold collection of art, literature, and original talents. There’s even a poem of mine nestled in the pages.
Today the stores are full of flowers wrapped in plastic smiles.
Card aisles rehearsing a script about what a mother is supposed to be— soft hands, warm hugs, unconditional written in pink cursive like it’s a guarantee.
But I know kids who learned the word mum by pointing at someone who didn’t give birth to them.
And nobody prints cards for that.
Nobody prints a card that says: Thank you for staying when leaving would’ve been easier.
Or: Thank you for showing up to the parent-teacher conference while the teacher keeps calling you aunt… like love only counts if the DNA matches.
Some people think motherhood is biology.
Like it’s hidden in blood cells, stitched into last names, certified by hospital bracelets.
But I’ve seen mothers who never stepped foot in a delivery room.
I’ve seen mothers learning to braid hair at midnight from a YouTube tutorial because the kid needed it done in the morning.
I’ve seen mothers working double shifts then coming home to help with the homework they never got the chance to finish themselves.
I’ve seen mothers who were really grandmothers, neighbours, big sisters, step-parents, foster parents, teachers with extra snacks in their desk for the kid who swore they “weren’t hungry.”
I’ve seen mothers in rain-soaked bleachers screaming that’s my kid with a voice loud enough to argue with the whole world.
Because motherhood is not nine months.
It’s the years after.
It’s packed lunches. Late-night talks. Text me when you get there. I’m proud of you.
Tiny sentences that stitch courage into a child’s spine.
So today, if you celebrate Mother’s Day
celebrate the woman who stayed.
The one who made space at the table. The one who learned your fears like a second language.
The one who chose you again and again and again.
Because blood might start a family.
But love—
love is the hands that stayed long after the world said they didn’t have to.
That’s a mother. Even if the hospital never wrote her name down.
Years ago, I learned some truly shocking statistics about suicide—800,000 lives lost every year. That’s one life every 40 seconds. It’s a deeply uncomfortable topic, but it’s one we can’t keep ignoring.
The truth is, suicide is the leading cause of death for men between 20 and 49. And while this affects all men, over 60% of newly-diagnosed autistic adults report having suicidal thoughts.
These numbers are devastating. We’re finally starting to talk more about mental health, but there’s so much more to be done to prevent people from reaching that point. To remind them they’re not alone.
I nearly became a fucking statistic so many times.
“This Poem Ends Every 40 Seconds”
Every forty seconds someone ends their own life.
Not a metaphor. Not a number on a website. A person. A real human soul punched out like a clock card, because the noise in their head was louder than any help ever offered.
Forty seconds. By the time you finish reading this stanza, someone else is gone.
But we don’t talk about it. Not really. We whisper it behind closed doors, use soft words like “passed away,” or “lost them,” as if they just wandered off into the woods and forgot to come home.
Mental illness is still a dirty word. Still something we hide in drawers with old medication bottles and family secrets.
We tell people to “reach out” but give them nothing to grab onto.
We applaud strength but punish vulnerability. We ask, “How are you?” but only want to hear “I’m Fine.”
We romanticize broken artists but ignore the broken people in our inboxes. At our dinner tables. In the mirror.
Some of us scream with silence. Perfectly dressed. Perfectly functional. Perfectly invisible.
The truth is we lose more people to quiet despair than to war or violence. And still, we treat therapy like a confession booth, instead of healthcare. Still, we treat emotion like weakness, and stoicism like bravery.
It’s not brave to bottle the storm. It’s brave to name it. To say, “I’m not okay.” To cry in daylight. To take meds, see a shrink, open the wound and not apologise for bleeding.
If you think this is heavy, good. It’s fucking supposed to be.
Because someone you love is already counting the seconds. And they don’t need a pep talk. They need a world that listens before the silence becomes permanent.