Staring at the clock, it mocks my plight. Five minutes left, or so it claims, But time has turned to molasses; Every tick a tiny giggle, As my coffee grows cold, and My chair re-forms to my shape. It’s then that I ponder The deeper questions, Like if I can train my stapler to fetch, Or if the printer is secretly plotting against me?
The greatest trick this devil ever pulled wasn’t smoke, wasn’t mirrors— it was the algorithm.
It was teaching you to doubt your own pulse. Convincing you the fire alarm is just background noise. Convincing you the cage is a corner office with a flattering filter.
And suddenly up is a rumor, down is a conspiracy, and truth is a freelance contractor waiting on late payment.
We scroll past the smoke. We double-tap the collapse. We outsource our outrage to a headline written in disappearing ink.
No one stops to ask why the air tastes metallic. No one wants to inventory an unpleasant existence— it’s easier to binge another distraction, another blue-lit anesthesia dripping from the ceiling of the feed.
Facts grow thinner. So thin they’re transparent. So transparent they pass through bone without resistance.
You blink— and the blink is curated. You blink— and the world has been gently rearranged like furniture in a house you swear you know.
They call it perspective. They call it balance. They call it both sides.
But it feels like standing in a funhouse where every mirror insists you are the distortion.
And somewhere, softly— almost kindly— a voice says:
Don’t think too hard. Don’t look too long. This is normal. This is fine. This is freedom.
We repeat it because repetition feels like stability. We repeat it until the echo sounds like evidence.
So tell me—
When the ground shifts and the headlines applaud, when the lie wears a flag and the truth wears fatigue,