No Save Points. No Second Chances.

What was your first ever videogame?

There’s a question guaranteed to send anyone of a certain age spiralling back into the mists of time, when gaming meant a television, a cassette player, a rubber-keyed computer and an almost religious belief that, if you waited long enough, something would eventually happen.

What was your first ever videogame?

For many of us, the answer was probably Horace Goes Skiing. Or perhaps it was one of those games you spent hours typing into a Sinclair ZX Spectrum 48K, carefully copying lines of code from a magazine, desperately hoping you hadn’t missed a comma, a number or one of those mysterious little symbols that could bring the whole thing crashing down.

Either way, getting to the actual game was an adventure in itself.

Loading… Please Wait

If you were lucky enough to own a Spectrum, you’ll remember the ritual. You connected the cassette player, typed LOAD "", pressed Enter and hit Play. Then you waited.

And waited.

And listened to that extraordinary electronic noise that sounded like a robot having an argument with a fax machine.

There was always that moment when you wondered whether it was working. Was the volume too high? Too low? Had the tape stretched? Was the computer about to reward your patience, or were you going to have to rewind the cassette and start all over again?

You could make a cup of tea in the time it took some games to load. You could probably make the tea, drink it and wash the cup before the title screen appeared.

And heaven help you if the game failed at 99%.

That wasn’t a minor inconvenience. That was a personal tragedy.

Enter Horace

For those of us who remember him, Horace Goes Skiing was a classic of its time. Released in the early eighties, it offered the chance to guide our unfortunate hero across a busy road, hire his skis and head for the slopes.

Simple enough, you might think. Except that crossing the road was a challenge in itself, and every unfortunate collision ate into Horace’s limited funds. You could spend more time trying to reach the ski hut than actually skiing.

It was maddening. It was addictive. And when you finally got going, it felt like you’d achieved something genuinely worthwhile.

Which, in fairness, you had. You’d survived the loading process, mastered the controls and negotiated a road system that would have given the average driving examiner nightmares.

And if you crashed? Well, you had another go.

There was no hand-holding, no friendly tutorial explaining what to do next, no convenient checkpoint waiting just around the corner. You learned by playing, failing and playing again. Sometimes you learned by shouting at the screen.

Mostly, you learned that trees were not your friends.

The Games We Built Ourselves

Of course, not everyone had a cassette with a shiny label and proper instructions.

Some of us had a magazine, a keyboard and an unhealthy amount of optimism.

You’d sit there typing in a program, line after line, convinced you were doing something terribly clever. And you were, to be fair. The Spectrum was a wonderful little machine, and learning to make it do things felt a bit like having your own personal magic box.

But there was a catch.

One typo.

One missing line.

One misplaced character.

And suddenly, instead of a glorious new game, you had a screen full of error messages and an afternoon’s work to do all over again.

Still, there was something special about it. You weren’t just playing games. You were learning how they worked, even if you didn’t fully appreciate it at the time.

And when you finally got the thing running?

Blimey.

You’d practically invented the internet.

Well, not quite. But you know what I mean.

Here’s the thing that really strikes me when I think back to those early gaming days.

There were no save points.

You didn’t get to save your progress before the difficult bit. There was no autosave, no checkpoint, no helpful message telling you that your progress had been preserved.

If you ran out of lives, that was it.

If you switched the computer off, that was it.

And if Mum decided she’d had enough of the television being occupied and wanted to watch something else, well, your gaming career had just been terminated without consultation.

You started again.

And again.

And again.

We became remarkably good at accepting failure, dusting ourselves off and having another go. Perhaps that’s one of the things those old games taught us without us even realising it.

Although, in fairness, some of us also learned some rather colourful language.

I still think there’s something wonderful about those early games. Not because they were technically superior to what we have today, but because of what they represented.

They were new.

They were exciting.

They were ours.

We didn’t have online guides, walkthrough videos or somebody on YouTube explaining the entire game before we’d even loaded it. We figured things out ourselves, usually through trial and error, and occasionally through sheer bloody-minded determination.

Today, we have games with extraordinary graphics, enormous open worlds, cinematic storytelling and enough features to fill a small instruction manual.

And they’re brilliant.

But sometimes I wonder whether we’ve lost a little of that old magic.

That feeling of finally getting a game to load after half an hour of electronic screeching. That little thrill when you discovered how to get past a difficult section. That sense of achievement when you’d spent an entire afternoon trying to beat your previous score.

No downloads.

No day-one patches.

No subscription required to access your own memories.

Just a computer, a cassette tape and a few hours to spare.

And if the game crashed?

Well, you learned to live with disappointment.

Or you threatened to throw the Spectrum out of the window.

Usually both.

For me, the question isn’t simply which game came first. It’s about remembering a time when playing a videogame was an event in itself.

Maybe it was Horace Goes Skiing. Maybe it was Manic Miner, Jet Set Willy, or one of those home-coded adventures that took longer to type in than they did to play.

Perhaps your first game wasn’t on a Spectrum at all. Maybe it was an Atari, a Commodore 64, a BBC Micro or something else entirely.

Whatever it was, I’d wager you remember more about the experience than you do about the graphics.

Because those games weren’t just games.

They were afternoons spent with friends, arguments over whose turn it was, the frustration of losing your progress and the excitement of discovering something new.

And somewhere in the middle of all that, a generation of us became gamers.

Stay safe.

BC

Goals, Targets, and Other Things I Don’t Care About.

Do you set personal goals for yourself?

Ah, goals.

Those things we’re apparently supposed to set ourselves so we can become more productive, more successful, and generally a better version of ourselves.

You know the sort of thing.

Attend a motivational seminar, buy a rather expensive notebook, write down your five-year plan, and spend the next twelve months feeling guilty because life got in the way.

Yeah… I’ve never really gone in for all that.

Don’t get me wrong, I admire people who set themselves goals and work hard to achieve them. If that’s your thing, crack on. Good for you.

It’s just never really been my cup of tea.

I’ve never been particularly interested in turning my life into a spreadsheet, complete with targets, deadlines, and little boxes to tick.

I’m a poet, a photographer, and a professional rambler. I spend a good deal of my time scribbling words, taking photographs, and generally following whatever creative rabbit hole happens to catch my attention.

And honestly?

I quite like it that way.

That doesn’t mean I don’t want to grow.

Of course I do.

I’d love to see my poetry reach more people. I’d love for my photography to find its way in front of a few more pairs of eyes. I’d love for the things I create to connect with somebody, somewhere, who might need them.

Who wouldn’t?

There’s something rather lovely about putting a little piece of yourself out into the world and discovering that somebody, somewhere, has connected with it.

Especially when that little piece of yourself started life as a few scribbles in your head.

But I’ve never felt the need to turn that desire into some grand, all-singing, all-dancing personal development programme.

No five-year plan.

No motivational posters telling me I can achieve anything if I just believe hard enough.

And absolutely no standing in front of a mirror at six in the morning, telling myself I’m going to conquer the world.

The neighbours would probably worry.

Besides, I’ve come to realise that life doesn’t always work according to plan. Sometimes things go brilliantly, sometimes they go spectacularly pear-shaped, and sometimes you spend an afternoon wondering what on earth you went into the kitchen for.

That’s life.

So, do I have a goal?

Well, I suppose I do.

Although calling it a goal might be stretching the definition somewhat.

At the end of every month, I have a little look at the number of interactions my creative work has received.

That’s it.

Nothing complicated.

My goal, if you can call it that, is simply to do as well as I did the previous month.

Not necessarily better.

Just the same would do nicely.

If the numbers go up, which they usually do, then that’s a lovely little bonus.

If they don’t?

I’m not going to beat myself up because a particular post didn’t reach as many people as the one before it.

Nor am I going to decide that my work has somehow become less valuable because an algorithm has had a funny five minutes.

After all, numbers can tell you how many people interacted with something.

They can’t always tell you what it meant to them.

And that’s an important distinction.

Because somewhere out there, somebody might read a poem of mine and feel a little less alone.

Somebody might look at a photograph and see something beautiful in an otherwise ordinary day.

Somebody might read one of these ramblings, have a little chuckle, or find a thought that stays with them long after they’ve closed the page.

I’ll probably never know about most of those moments.

And that’s okay.

I don’t need to.

If something I’ve created makes a difference to even one person, then there’s value in that which no monthly statistic can properly measure.

Perhaps that’s the thing about creativity.

You can spend hours worrying about reach, engagement, followers, likes, shares, and all the other things the internet has taught us we’re supposed to care about.

Or you can get on with creating things because you enjoy doing it, because you have something to say, or because sometimes putting words on a page is simply how you make sense of the world.

Personally, I’ll take the second option.

I’ll keep writing.

I’ll keep taking photographs.

I’ll keep sharing whatever happens to fall out of my head and onto the page.

And if more people find their way here along the way, then that’s wonderful.

But I’m not going to spend my life chasing a number.

Life’s a journey, after all.

And I’d rather enjoy the scenery than spend the entire trip staring at the satnav, worrying whether I’m getting there quickly enough.

Which brings me to something I really do want to say.

To those of you on the other side of this screen…

Thank you. Genuinely.

Whether you’ve been reading my scribbles for years or you’ve only stumbled across one of my ramblings today, I’m grateful you’re here.

Every comment, every like, every share, every message, and every moment you’ve taken out of your day to read something I’ve written means more than you probably realise.

I know the internet is a busy place. There’s an almost endless supply of things demanding our attention, and yet you’ve chosen to spend a little of your time here.

With me.

And that genuinely touches me.

I started writing because I had things I needed to get out of my head. Over the years, those scribbles have grown into something much bigger than I ever expected.

And the fact that other people have found something in them?

Well, that’s a rather lovely bonus, isn’t it?

So, no, I don’t have a grand plan for world domination.

I’m not aiming to become the next big thing.

I’m not sitting here plotting how to turn every waking moment into an opportunity for personal growth.

I’m just Bob.

An old soul with a head full of thoughts, a camera, a keyboard, and an apparently endless supply of things to ramble about.

I’ll keep doing what I do.

Creating, and keep putting my work out into the world.

And at the end of each month, I’ll have a little look at those numbers and see how things are going.

If they’re up, I’ll do an extra happy dance.

If they’re the same, I’ll be very happy.

And if they’re down?

Well, there’s always next month.

Because perhaps the point isn’t to keep setting bigger and bigger goals until we’re so busy chasing the next achievement that we forget to appreciate what we’ve already got.

Perhaps it’s about enjoying what we’re doing, appreciating the people who come along for the ride, and being grateful that we get to do it in the first place.

At least, that’s how I see it.

And once again, to everyone who reads, shares, comments, or simply stops by for a little while…

Thank you.

You’re appreciated more than you know.

Stay safe,

Bc

Learning Never Stops, The Joy of Curiosity

What’s the best online course you’ve ever taken?

I’m not sure I can pick just one course, because the thing that made the biggest impression on me wasn’t necessarily a particular subject.

It was the opportunity to learn in the first place.

Back in 2013, I discovered edX, an online learning platform founded by Harvard and MIT. The idea was simple but rather brilliant: give people around the world access to courses from some of the best universities, without the usual barriers to education.

And a lot of the learning was free.

Well, that was me hooked.

I enrolled in Ethical Reasoning and CS50, Harvard’s introduction to computer science.

Now, I’d love to tell you I sailed through both courses, displaying the sort of academic brilliance that would have had Harvard knocking on my door.

I didn’t.

I crashed out of CS50.

Computer science and I clearly needed a little more time to get acquainted!

But I passed Ethical Reasoning, which encouraged me to keep going. Next, I enrolled in Bioethics at Georgetown University, and I passed that one too.

Not bad for someone sitting at home, learning online from universities on the other side of the Atlantic.

What I loved most was the choice.

Different universities. Different subjects. Different ways of looking at the world.

And the opportunity to explore things I might never have studied otherwise.

Because here’s the thing.

Talent isn’t exclusive to people who can afford a university education.

There are people out there with brilliant minds, curious natures and an enormous appetite for knowledge who simply don’t have the money to follow the traditional educational route.

Platforms like edX opened up opportunities that might otherwise have been out of reach.

And I think that’s something worth celebrating.

I’ve always been keen to learn new things. Not necessarily because I want a certificate to hang on the wall, or another qualification to add to my CV.

Sometimes, I’m simply curious.

I want to understand something I didn’t understand yesterday. I want to challenge the way I think. I want to discover something that makes me stop for a moment and go, “Well, that’s bloody interesting!”

I think learning helps keep the mind hungry.

And I reckon that’s important, whatever your age, background or circumstances.

You don’t have to become an expert in everything. You don’t even have to finish every course you start. Believe me, I’m living proof of that!

Sometimes the value is in trying.

Sometimes it’s in discovering what you enjoy.

And sometimes it’s in realising that a subject isn’t for you, which is useful knowledge in itself.

So, what’s the best online course I’ve ever taken?

Perhaps it was Ethical Reasoning. Perhaps it was Bioethics.

But if I’m honest, I think the best thing I got from the experience was discovering that learning didn’t have to stop just because I wasn’t sitting in a classroom.

There’s a whole world of knowledge out there, and some of it is only a few clicks away.

You just have to be curious enough to look.

And if you happen to crash out of a computer science course along the way?

Well, at least you gave it a go.

Stay safe,

BC

Strong Enough to Fight, Wise Enough not to

What does it mean to be a good person?

Ask ten people and you’ll probably get ten different answers. For me, it comes down to something rather simple: helping others, treating strangers with kindness, and trying to leave the world a little better than I found it.

Nothing revolutionary, is it? Although, given the state of the bloody world sometimes, you’d think kindness was a rare and endangered species.

But here’s the thing. Kindness isn’t weakness, and peace isn’t an inability to fight.

You can be compassionate without being a pushover. You can stand up for yourself and those you love without making aggression your default setting.

It’s why the idea of a demon hand and a Buddha heart resonates with me. Strength tempered by compassion. The ability to confront darkness without allowing it to dictate who you become.

I’ve been trained for war, but that doesn’t mean I want to spend my life fighting. Quite the opposite.

There’s a difference between being unable to hurt someone and having the capability to do so but choosing not to. One is a limitation. The other is restraint.

And restraint, in my opinion, takes a fair bit of strength.

We all have anger, pride and darker impulses. The question isn’t whether those feelings exist, but whether we allow them to control our actions. Just because somebody insults us doesn’t mean we have to respond. Just because we can win an argument doesn’t mean we should have it.

Sometimes, walking away is the strongest thing you can do. Not because you’re frightened, but because your peace of mind is worth more than having the last bloody word.

So, what makes someone a good person?

Not perfection. I’ve yet to meet anyone who has that particular trick figured out.

It’s about trying. Helping when you can. Admitting when you’re wrong. Apologising when you’ve hurt someone. Standing up for those who need it, setting boundaries when necessary, and having the courage to change your mind when life proves you wrong.

We can’t control how others behave, but we can take responsibility for how we respond.

For me, that’s the balance:

It’s known as Demon hand, Buddha heart. Strength without cruelty. Compassion without helplessness. Peace without pretending the world is always peaceful.

I don’t have to be harmless to be kind, weak to be gentle, or blind to the world’s darkness to choose not to add to it.

I can walk a path of peace while being prepared for war. But above all, I can choose to lead with my heart.

Will that change the world overnight? Probably not. I’m not that bloody optimistic.

But if we all made a little more effort to choose kindness over contempt, restraint over retaliation, and understanding over hatred, perhaps we’d make this place a little easier to live in.

Not perfect. Not without conflict.

Just a little kinder.

And honestly? I’d settle for that.

Stay safe,

BC

It’s Your First Time Being Alive

What’s the best advice you’d give to someone younger than you?

Don’t worry if, in your twenties, you don’t know where you’re going.

Honestly.

Most of us are making it up as we go along.

There seems to be this unwritten expectation that by a certain age you’re supposed to have everything worked out. A career. A five-year plan. A purpose. A clear idea of who you are and where you’re heading.

Life rarely works like that.

When we’re young, we somehow expect ourselves to have all the answers despite the fact we’ve barely had time to collect the questions.

It’s your first time being alive.

Be kind to yourself.

I didn’t know who I truly was, or what I wanted my life to look like, until I was nearly forty. Looking back, I spent far too much time worrying that I was behind everyone else.

The truth?

Nobody knows what they’re doing quite as much as they pretend to.

And that’s okay.

Because life isn’t really about the final destination anyway.

It’s about the journey.

It’s about the people you meet along the way.

The late-night conversations.

The road trips.

The laughter that leaves your face aching.

The memories you make with friends and family.

Years later, you won’t remember every deadline, every promotion, or everything you thought was a disaster at the time.

You’ll remember the people.

You’ll remember how they made you feel.

You’ll remember the moments.

Another thing I’d tell my younger self is this:

Learn to love yourself.

Not in an arrogant way.

Not in a “look at me” sort of way.

Just learn to be comfortable in your own skin.

Because once you stop trying to be who you think everyone else wants you to be, and start accepting who you actually are, something wonderful happens.

You can breathe.

You stop fighting yourself.

And that feeling is worth more than you can imagine.

I’d also tell you to let go of grudges.

They’re heavy things to carry.

The person who upset you years ago is probably not sitting at home replaying the argument.

Meanwhile, you’re giving them space in your head they haven’t earned.

They don’t deserve to live rent free in there.

Forgiveness isn’t always about them.

Sometimes it’s about freeing yourself.

So be patient.

Be kinder to yourself than you think you need to be.

Take photographs.

Make memories.

Tell people you love them.

Don’t panic if the map isn’t clear.

Most of us are finding the path one step at a time.

And sometimes the scenic route turns out to be the best one.

Stay safe,

BC

Ps Don’t forget to wear sunscreen

The Glasses I Don’t Need

I have a pair of glasses.

My glasses

Proper glasses.

You know the sort. You go to the opticians, sit in the chair while someone shines various bits of machinery into your eyes, reads out letters that get progressively smaller, and eventually tells you that your eyesight is apparently not quite as good as you thought it was.

Except…

Mine are a little bit different.

One lens is Plano.

In other words, completely plain. No prescription. Nothing.

The other one had a very, very small prescription in it.

And I mean tiny.

So tiny, in fact, that I’ve now outgrown the prescription altogether.

Technically, I don’t need the glasses anymore.

But I still wear them.

Why?

Because they are my Clarke Kent glasses.

Yes.

Really.

Those of you who know me will already know that I’m a massive comic book nerd, so perhaps this shouldn’t come as much of a surprise.

But there’s actually a bit more to it than that.

You see, glasses can create a little physical barrier between me and the world.

Not a huge one.

Nobody looking at me would think, “Blimey, that bloke has constructed a defensive perimeter around himself.”

But they do something.

Much like sunglasses do.

For years, I’ve found sunglasses useful in social situations because they make eye contact easier. They create that tiny bit of separation between me and the person I’m talking to.

I can still see them.

I can still listen.

I can still have the conversation.

But somehow, having something between their eyes and mine makes me feel a little less exposed.

A little less vulnerable.

And that can make a surprisingly big difference.

The problem with sunglasses, of course, is that they’re not exactly practical all the time.

At night?

Not really.

In a dark room?

Probably not.

When it’s raining and the sky looks like it’s personally offended by the existence of daylight?

Definitely not.

And wearing sunglasses indoors can occasionally result in people wondering whether I’m about to perform at a nightclub rather than attend a perfectly ordinary meeting.

So these glasses fill the gap.

They look like normal glasses.

Because, well, they are.

Nobody needs to know that one lens is doing absolutely nothing and the other one is basically on permanent holiday.

They give me that little barrier without making the world around me darker.

And when I’m nervous, particularly if I’m standing on a stage or speaking in front of people, they help.

Stage fright is an odd thing.

You can know exactly what you want to say.

You can have prepared.

You can know that the people in front of you aren’t actually waiting for you to fail.

And yet your brain can still decide:

“Excellent. This is the moment we panic.”

Having my glasses on gives me something.

A tiny bit of confidence.

A little shield.

Perhaps even a psychological costume.

Which brings me back to Clarke Kent.

Because Superman has always fascinated me.

Not simply because he can fly, lift cars and apparently survive being thrown through buildings.

It’s the idea of the alter ego.

Clark Kent puts on a pair of glasses and suddenly he’s just an ordinary bloke.

Nobody looks twice.

Nobody expects him to save the world.

And while I’m certainly not claiming that my glasses give me superpowers

They help me feel like I’m wearing my social armour.

They give me a little bit of distance.

A little bit of protection.

And sometimes, that’s all you need.

I think we all have things like that.

Little routines.

Objects.

Clothes.

Jewellery.

Music.

Something we carry with us that makes the difficult things feel slightly easier.

They might look completely insignificant to somebody else.

But they aren’t insignificant to us.

For me, apparently, it’s a pair of slightly ridiculous glasses with one lens that doesn’t need a prescription and another that doesn’t need one anymore.

To everyone else, they’re just glasses.

To me?

They’re my Clarke Kent glasses.

And sometimes, even when you don’t need a prescription, you still need the glasses.

Stay safe,

BC

No Thanks, I’ll Keep the Year I’ve Got

If you could relive one year of your life, which one would it be?

Truth is, I wouldn’t.

Because unless I did exactly the same things, I’d change everything that came afterwards. Basic string theory, space-time continuum stuff…

Besides, I spend my time looking forward.

Everything behind me happened for a reason. The good, the bad and the downright bloody awful made me who I am.

Life’s a journey, not a rerun.

And if you spend too much time staring into the rear-view mirror, you’re far more likely to crash.

So I’ll keep looking forward, thank you very much.

Stay safe,

Bc

Phone Snaps to Proper Photography

Share a hobby you’ve picked up recently — what got you into it?

Photography.

Now, before anyone gets excited, I should probably clarify something.

I’ve described myself as a poet for quite a few years now.

And, increasingly, I’ve started describing myself as a photographer too.

But photography?

Until relatively recently, it was just something I did with my phone.

That’s it.

No fancy camera.

No collection of lenses.

No camera bag weighing more than the average toddler.

Just me, my phone, and the occasional, “Ooh, that looks nice.”

I’d be on holiday and see the photographers wandering around with all their kit.

Camera hanging around their neck.

Bag over their shoulder.

Various lenses.

Tripods.

Enough equipment to suggest they were either photographing the Grand Canyon or preparing for a small military operation.

Meanwhile, I’d pull my phone out of my pocket.

Click.

Done.

And, to be fair, I was happy enough with that.

I’ve always enjoyed taking photographs. Nature, birds, beaches, random things that catch my eye.

People had occasionally told me I had “an eye” for photography.

I never really knew what that meant.

I still don’t completely.

I’ve never studied photography properly. I don’t pretend to know all the technical terminology, and there was a time when things like focal lengths, apertures and shutter speeds might as well have been written in ancient Greek.

Then I turned 50.

And decided that apparently I was going to buy myself a proper camera.

Enter the Pentax K-x.

A camera that, even when I bought it, was hardly the latest bit of technology.

12.4 megapixels.

Which, compared with today’s cameras, sounds positively prehistoric.

But I loved it.

Suddenly, photography wasn’t just about pointing my phone at something and pressing the button.

There were settings.

There were choices.

There was experimentation.

And, perhaps most importantly, there were lenses.

Oh my word.

The lenses.

You start with one and think, That’s enough.

Then you discover another lens.

Then another.

Then you convince yourself that this particular lens is absolutely essential because apparently you cannot photograph a bird properly without it.

Before you know it, you’ve gone from:

“I take pictures with my phone.”

to:

“Hang on, which lens am I taking today?”

And somewhere along the way, something changed.

Photography stopped being something I occasionally did.

It became something I wanted to learn.

Something I wanted to get better at.

Something I looked forward to.

I started noticing things differently.

The light.

The weather.

Birds sitting in places they probably shouldn’t be.

The way the sea changes from one day to the next.

A moment that might only last a second.

And that’s probably the biggest difference.

When you’ve got a camera with you, you start looking.

Really looking.

I’ve found myself standing somewhere I’d walked past a hundred times and suddenly seeing something I’d never properly noticed before.

That fascinates me.

Because perhaps photography isn’t really about the camera.

Perhaps it’s about paying attention.

The camera is just the excuse.

These days, I’m still learning.

I still take photographs that make me think, Well, that didn’t quite work.

And occasionally I take one that makes me stop and think, Bloody hell, I actually did that.

Those are the moments that keep me coming back.

Photography has become another creative outlet alongside my poetry.

With poetry, I use words to capture a thought, a feeling, a moment.

With photography, I use an image.

Different tools.

Same basic idea.

Tell a story.

Capture something.

Make someone stop for a second and look.

So yes, I suppose I’ve picked up a new hobby.

Although, knowing me, calling it a hobby is probably underselling it now.

It’s become a passion.

Another string to my bow.

And somewhere along the way, the bloke who used to watch photographers carrying all that expensive-looking kit around while happily using his phone has become one of the people carrying the bloody kit.

Funny how life works, isn’t it?

Still…

I’m taking the camera.

I’m leaving the tripod at home.

I’m not completely mad.

Yet.

Stay safe

Bc

Ps….

Here’s last night’s Sturgeon Moon

Sturgeon Moon (2026)

Apollo 11, a Camera, and Absolutely No Idea How to Get Home

If you could go back and witness any historical event, which one would you pick?

This is one of those questions that sounds incredibly easy.

Until you actually try to answer it.

If I could go back and witness any moment in history, what would I choose?

There are, obviously, quite a few possibilities.

I could go back to the time of the dinosaurs.

Although, having thought about this for approximately three seconds, I suspect I’d spend most of my time hiding behind a tree while something enormous wandered past.

Not exactly the historical experience I had in mind.

I could witness the signing of some great historical document.

I could stand on the sidelines of a famous battle.

I could meet one of the great writers, scientists, artists or thinkers who changed the world.

Or I could go and see something completely ordinary that, at the time, nobody realised would become history.

But there’s one moment I keep coming back to.

Apollo 11.

20th July 1969.

The day human beings first stepped onto another world.

I’ve always had a bit of a thing about space.

Give me an old science-fiction programme, a ridiculously complicated spaceship and the vague possibility that one day humanity might wander around the universe and I’m interested.

I blame Red Dwarf.

Or Star Trek.

Possibly both.

But Apollo 11 feels different.

Because it actually happened.

On 16th July 1969, Neil Armstrong, Buzz Aldrin and Michael Collins climbed aboard a Saturn V and left Earth.

Four days later, Armstrong and Aldrin landed on the Moon while Collins remained in orbit above them.

And then came that moment.

The ladder.

The lunar surface.

The first human footprint in the dust.

I’d want to be there.

Not watching the footage on an old television.

Not seeing it years later in a documentary.

Actually standing there.

Which does raise one or two minor logistical problems.

For starters, I’d need a time machine.

Then I’d have to explain to NASA why a bloke from the future had suddenly appeared at the launch site.

And I imagine that conversation would probably end with somebody asking me where I got the time machine.

At which point I’d have to admit that I hadn’t actually thought that far ahead.

Assuming I got past that part, I’d probably be told not to touch anything.

Which is probably sensible.

Because if you’ve spent years and an enormous amount of money building a machine capable of taking three people to the Moon, the last thing you need is some bloke from 2026 wandering around saying:

“What’s this button do?”

But imagine being there for the launch.

Standing somewhere nearby as that enormous Saturn V came to life.

The noise.

The vibration.

The sheer scale of it.

We sometimes forget just how ridiculous the whole thing was.

Human beings looked up at the Moon and decided they were going to go there.

So they built a machine.

A very, very big machine.

And somehow, it worked.

That alone would be worth seeing.

But I don’t think the bit that would affect me most would necessarily be Armstrong stepping onto the surface.

I think it might be looking back at Earth.

That tiny blue planet sitting in the blackness.

Because Apollo 11 wasn’t just about getting to the Moon.

It changed the way we could see ourselves.

From up there, the borders disappear.

You can’t see countries.

You can’t see political arguments.

You can’t see someone’s bank balance.

You can’t see the things we spend so much of our time arguing about.

You just see Earth.

One small blue world.

And on another world, three human beings.

That thought gets me every time.

And perhaps that’s why I’d choose Apollo 11.

It’s not really because I’m fascinated by rockets.

Although I am.

It’s not because I’d want to meet Armstrong, Aldrin and Collins.

Although, obviously, that would be rather brilliant.

And it’s not even because I’d want to take photographs.

Although knowing me, I’d probably spend half the event worrying about whether I’d brought enough film.

I’d want to be there because it was one of those incredibly rare moments when human beings did something that seemed almost impossible.

Simply because someone decided it was worth trying.

And I think that’s the part I like most.

History tends to remember the names at the front.

Armstrong.

Aldrin.

Collins.

And rightly so.

But Apollo 11 wasn’t built by three people.

It was built by thousands.

Engineers.

Scientists.

Technicians.

Mathematicians.

People checking calculations.

People testing equipment.

People finding problems.

People fixing those problems.

People staying late because something wasn’t quite right.

People doing jobs that, at the time, probably felt like ordinary work.

Until you put all those ordinary jobs together.

Then something extraordinary happens.

That’s probably one of the things I find most fascinating about history.

We like to turn it into stories about individuals.

One person had the idea.

One person made the decision.

One person took the risk.

One person changed the world.

But most of the time, that’s not really how it works.

History is usually thousands of people doing their little bit.

Most of them never becoming famous.

Most of their names never appearing in a school textbook.

But without them, the famous moment wouldn’t happen.

And I think there’s something rather lovely about that.

So yes.

If I could go back and witness any moment in history, I’d choose Apollo 11.

I’d find somewhere safe to stand.

I’d stay out of everyone’s way.

I’d probably take far too many photographs.

I’d try very hard not to touch anything.

And when Armstrong finally stepped down onto the Moon, I suspect I’d just stand there completely gobsmacked.

Because sometimes you don’t need to understand a moment.

You don’t need to be important.

You don’t need to be part of the story.

Sometimes it’s enough just to be there.

To watch something happen that nobody had ever done before.

And to realise, even for a few seconds, that you’re watching history being made.

That’s where I’d like to be.

Right there.

On the sidelines.

Probably with a camera.

And almost certainly wondering how the hell I’m going to get back home.

Stay safe,

Bc

The Value of a Little Chaos

Is a little chaos actually good for us?

If you’d asked me this question twenty years ago, I’d probably have said no.

Chaos was something to be avoided. Something that interrupted plans, made life difficult, and generally arrived at exactly the wrong moment. Like seagulls at a picnic or printers five minutes before a deadline.

These days?

I think chaos gets a bit of an unfair reputation.

Don’t get me wrong—I wouldn’t recommend living in constant turmoil. None of us thrive under endless stress. We all need moments of calm, stability and routine. They allow us to recover, reflect and simply breathe.

But the opposite is equally true.

Too much order can become its own prison.

Nature understands this far better than we do. Every ecosystem exists because opposing forces work together. Growth and decay. Creation and destruction. Day and night. Even at the smallest level, the universe is a constant dance between order and randomness.

Without variation, nothing evolves.

Without disruption, nothing adapts.

Without a little chaos… life becomes remarkably stagnant.

As artists, I think we understand this instinctively.

The perfect photograph rarely happens because everything went exactly to plan. Sometimes it’s the unexpected shaft of light breaking through the clouds. The bird that lands exactly where you weren’t expecting it. The rain that forces you to see a familiar landscape from a completely different perspective.

Poetry works much the same way.

Some of my favourite lines have arrived uninvited, usually while my brain has wandered off somewhere else entirely. They weren’t carefully engineered. They simply appeared, carrying truths I hadn’t consciously realised I was thinking about.

Chaos has a habit of introducing ideas that routine never would.

Science even backs this up.

Complex systems often need a degree of randomness to remain healthy. Too much order leads to rigidity. Too much chaos leads to collapse. Somewhere in the middle lies resilience—the ability to bend without breaking.

Perhaps we’re not so different.

We need structure to keep us grounded.

We need unpredictability to keep us growing.

The trick isn’t eliminating chaos.

It’s learning not to fear it.

Some of the biggest changes in my own life arrived disguised as disruption. At the time they felt uncomfortable, even frightening. Looking back, many of them became turning points that led me somewhere better than I’d originally planned.

Life has an odd sense of humour like that.

It rarely asks permission before teaching us something important.

So yes, I think a little chaos is good for us.

Not because it’s pleasant.

Not because it’s easy.

But because it reminds us that we’re still capable of adapting, creating and discovering new versions of ourselves.

After all, if every painting were perfectly symmetrical, every poem followed exactly the same rhythm, and every photograph captured the obvious angle…

Art would become predictable.

And life would be rather dull.

Sometimes it’s the beautifully untidy bits that make the whole picture worth looking at.

Stay safe,

Bc